![]() ![]() ![]() I should start this by saying that this list isn’t intended to be sequential. Do check my answers you’ll find links to reviews of each of these cameras in the paragraphs below each. This isn’t an objectively perfect Top 10 list, but these are my and I’m sticking with them. To other shooters, other cameras may hold different answers still. What really, and I mean really, makes a camera (or anything) great? Is it their stat sheet and groundbreaking tech, or is it the beauty of their execution of existing tech? Is it their sales figures or their historical importance? Is it what the camera is objectively, or is it how that camera made you feel?Įach camera on this list revealed to me a different answer to every one of those questions. I ended up having to ask myself some rather serious questions about cameras and list-making in general. It is this category’s extraordinary variety that makes this list so difficult, yet so exciting to organize. ![]() This can range from something like the humble, aperture-priority-only Nikon EM to the autofocus-equipped, armed-with-every-mode-ever Minolta A7. The electronic 35mm SLR category encompasses any 35mm SLR whose exposure capabilities are aided by electronics. So before we get started, let’s establish some ground rules. We are, after all, talking about the most popular, well-known, and most diverse segment of film cameras out there. This was followed by a hint of excitement, which was then tempered by a big helping of dread and anxiety. When I wrote our Ten Best Mechanical SLRs Ever Madearticle, I almost immediately knew I had to follow it with a Ten Best Electronic SLRs Ever Made article. ![]()
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